Have you ever wondered why a story begins, the way it begins?
“Call me Ishmael…” Moby Dick, by Herman Melville.
“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” Pride and Prejudice, by Jane Austen.
‘“Christmas won’t be Christmas without any presents,” grumbled Jo, lying on the rug.’ Little Women, by Lousia May Alcott.
Every writer begins their story with something essential. A name. An opinion. A situation. Immediate insight into a main character. Whatever it is, it is something the writer wants you to know.
The gospels are no different. They give the hearer or reader essential pieces of information, so that we will fully understand the story being told. Our passage from Luke’s gospel—such a familiar passage, so beloved—begins, oddly enough, with the names of some politicians. Luke locates the story in time and place for us, telling us that Caesar Augustus is the emperor of the mighty Roman Empire, and that one of his lieutenants, the one who is requiring this trip of Mary and Joseph, is Quirinius, the governor of Syria.
Why does the writer tell us this? Why should we care? …
Image: Nativity on Ivory, from Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN. https://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=31702 [retrieved November 7, 2025]. Original source: Prof. Patout J. Burns.
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