So this is love…Mmm, mmm,
So this is love
So this is what makes life divine
I’m all aglow, Mmm, mmm,
and now I know
the key to all heaven is mine.
For those of you unfamiliar with that little song, it’s from the 1950 Walt Disney animated film, “Cinderella,” and it plays a particular role in my relationship with this gospel passage. I was a graduate student at Boston College the first time I preached on this text (in fact, the first time I preached). I was also the mother of an adorable 2-1/2-year-old boy who demonstrated an early, precocious love of animated musicals. This means, we watched the VHS tape of Cinderella approximately 800 times over the course of a year. This is only a slight exaggeration. And as I set myself to do the research to write that sermon, one of the first things I learned was the significance of Jacob’s well. Jacob was something of a trickster, and one notable trick—stealing his brother’s blessing from their father—had him running for his life. So he ran. And when he arrived at his destination, there was Rachel, bringing in her father’s flocks to be watered at this well. Rachel was beautiful, she was graceful. It was love at first sight. First, Jacob watered Rachel’s father’s flocks, and then he kissed her, and the engagement was all but set.
And that’s not the only Biblical engagement at a well. Jacob’s parents, Isaac and Rebekah, were engaged at a well. Moses and Zipporah were engaged at a well. I mentioned last week that John’s gospel is filled with symbolism. This story takes place at a well. That’s how we know: it’s a love story.
Image: Kauffmann, Angelica, 1741-1807. Christ and the Samaritan Woman, from Art in the Christian Tradition, a project of the Vanderbilt Divinity Library, Nashville, TN. https://diglib.library.vanderbilt.edu/act-imagelink.pl?RC=54748 [retrieved January 27, 2023]. Original source: http://commons.wikimedia.org/wiki/File:Angelika_Kauffmann_-_Christus_und_die_Samariterin_am_Brunnen_-1796.jpeg.
It was at this point in my research that this little song, so well-known to me, took root in my heart and became the unofficial soundtrack to John 4.
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